You just have to get out of the way – you don’t want to put too much on it. It’s a testament to Greg and the writers that the writing does most of the work. How do you balance the comedy, the political plots, the virtual reality tech and the human relationships at the heart of the show? That ability to be a bit of a chameleon – “Let me survey the scene, see how things work – helped me as an actor and it’s something Nora does too.
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That duality resonates so deeply with me.Īlso, when I moved to the States, I learned how to move and speak in a more Western, American way because I wanted to fit in. She lives in the real world and in virtual reality and in this season she’s part of the Ludds but is still working and using tech. A lot of my life is this duality, of existing in two different worlds and that’s Nora’s too. And I’m so grateful for that experience – it allowed me to see different perspectives and ways of life and to see the beauty in both. Growing up in Cameroon was a very specific way of life and moving to the States was a very different way of life. Did moving from Cameroon to California as a child and having to start over shape you to be more open in that way? I connect so deeply with Nora, with her love of caring for people – even when she makes judgments, she still gives them a chance and I think that’s a beautiful quality. Before learning this lesson, with music I always wanted things to work immediately and I’d get frustrated – why isn’t this song hitting now – but now I’ve learned patience, to know it’s going to happen, and I just have to relax. It was just that music took off first.Īcting is very much a hurry-up-and-wait job. I did indie movies and commercials while also working on music. Growing up I put on plays and concerts for my family. Were you always interested in acting in addition to music? It’s very much like that in an audition or on a set – there are fewer people but the same pressure and you still have to just go do it. I was on stage with Prince in front of 50,000 people and you just have to go out and let it flow.
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Those two things continue influencing me today, in music but also on a TV set. The other thing I learned from him was that when it’s go-time, in the studio or on stage, you show up 110 percent. I got to see his unencumbered artistry – he had an ability to get out of the way and let things flow and not be too precious, while still having a reverence and respect for the art. How did playing and recording with Prince influence you? How did you go from an unknown musician to a member of Prince’s band? This interview has been edited for length and clarity.
The show is a comedy but it also has plenty to say about technology and the inequality in wealth and political power between classes in America.Īllo spoke by video recently about working with Prince, about finding the right tone for Nora, and about whether she would upload given the chance. Season two begins with Nora on the run, joining a group of activist rebels called the Ludds, who live in the forest and live off the land as they plot to take down the forces behind the upload technology. Nora who worked as an “angel” (customer service rep) for wealthy Afterlife patrons fell into a budding – but virtual – romance with Nathan (Robbie Arnell) and then into a dangerous – and real life – power play by Nathan’s enemies that nearly got her killed. The first season of “Upload” introduced viewers to a near-future world where people can, instead of dying, be uploaded to a virtual reality, where they can live quite lavishly… as long as someone living is covering the bills.
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